At the San Francisco Museum of Modern Art, museum-goers tend to dance as they enter the installation Gravitron (2023), nodding or stepping to the beats of songs by Selena, 2Pac or The Doors. In a darkened room, the music emanates from a sound sculpture flashing jewel-toned lights, booming with a bass that reverberates deep within the body. To familiar viewers, the combination evokes the sensation of cruising, the Los Angeles Sunday ritual where lovingly customized cars go on parade, crawling down the boulevard with their high-gloss paint jobs and souped-up sound systems.